It was the lovely and overlooked film by Sofia Coppola, Somewhere (2010), that started me thinking differently about a trend I have been seeing in too many art shows over the past few months. The catalyst for my latest review is the shocking realization that Andy Warhol’s Motion Pictures, exhibited now at MoMA, feels fresher, newer, and more thought provoking than anything else I’ve recently seen. That I would want to write about Andy Warhol had never occurred to me, and that I would find some aspect of his work new seemed impossible. All I have been seeing from young artists this year, however, has consisted of clever remakes of older artwork, and it’s been one Cindy Sherman (to use a popular candidate) reference after another. A critic friend of mine said he was going to start writing more “negative reviews” simply because he was finding it impossible to find something he actually liked. I was glad to know other people were having a similar problem, but this doesn’t explain why new art seems determined to reference old work. Perhaps in trying to avoid the term “derivative” artists have started making exact replicas of other artists. Watching Somewhere put a different spin on the idea of remaking in an older tradition. Coppola’s film, so simple and fresh, reminded me of the films I was seeing reshown in galleries, such as Warhol’s Screen Tests and Larry Clark’s Tulsa. Though Coppola seemed to be drawing from older styles of filmmaking, her reasons for doing so were tied directly to filmmaking today. In an NPR interview Coppola talked about the decision to make her film so spare:
I hope it’s refreshing for audiences. I just feel like in movies today we are so bombarded with fast editing and song after song, that I wanted to have more breathing room, to just have a pause. Even modern life, with everyone in contact and on BlackBerrys, I feel like it’s nice to have a break from that, and to be alone with the characters.