Published-Interviewing Bill Viola

November 24th, 2009 § 0 comments

Learning to speak up happens in stages.

In undergrad I spent my time listening acutely during critiques to those professors and students who had already mastered the art of bullshit, articulation, and the clever dissection of ideas and artwork. In graduate school I became the conversation starter, enjoying how interesting conversations can be when you direct where they go. Teaching became another kind of public speaking stress, where you are expected to know in advance the correct answer to every unexpected problem. Presenting your work to an audience is a challenge as your voice is the only voice, and when it reaches a deadend there is nothing but your own desire to avoid embarrassment to redirect it. Interviewing an artist is stressful in a completely new way, being an odd combination of planned questions and improvised discussion. Avoiding the nervous trap that prevents from happening what should be an easy conversation about something both parties know a good deal about, seems key. It was a special kind of torture to slowly transcribe this 45-minute interview, as I heard every verbal blunder, stutter, and hesitation more times than I ever dreamed of having to. In the end it was a fantastic experience, and when whittled down to its core, a good interview.

Bill Viola

Viola Interview

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