Published-On Art & Sound

August 4th, 2009 § 0 comments

My latest review has made me wary of group shows, as writing about one makes my job a good bit harder. At least my editor appreciated my “clear focus,” precision that took weeks and a lot of editing to (hopefully) find. Though feedback always trickles in slowly and in a non blog related form, as always, it is quite welcome. White Noise at the James Cohan Gallery.


Pier 94—The Beautiful People

March 10th, 2009 § 0 comments

I wonder who thought art fairs were a good idea: investors, collectors, rich folk shopping for a new painting for the dinning room, museum directors, or gallery owners? It was certainly not thought a great idea by the makers of art, even those egotistical enough to dream of being the highlight of such a gathering of stuff, would never call it an ideal space. I could not help but wonder about this as I wandered through the Armory Show this past weekend. I was curious about the event in general, I wanted to see how it compared to Art Basel, for though I guessed it would contain many of the same galleries and artists, in the post-economic meltdown I thought the vibe, perhaps translating into the overall aesthetic, might be different—more subdued and less extravagant?

pier 94

I was relieved that this event was less costly than Basel, students could enter the maze of portable white walls for a somewhat reasonable price, the ticket included admission to both piers (92 & 94), but one was more than sufficient to become completely visually overwhelmed. I wondered as I wandered how the spaces were chosen and how the galleries chose their representative artists. Judging from the odd juxtapositions and the decorative, tasteful quality of the art I made my guesses. This lead to my amazement that someone, somehow, somewhere, decided this was a good idea.

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NYC Galleries, Day Two

November 22nd, 2007 § 0 comments

Friday Nov 16th

1.) Friday morning started off very cold at Madison Square Park where there was an installation of Roxy Paine’s metal trees.

2.) Artists Space seemed like a more interesting place to show work, more for younger emerging artists.

3.) The Drawing Center also seemed like a somewhat more alternative place to show. The show that was up was Alan Saret, a minimalist who draws with handfuls of colored pencil.

4.) Ronald Feldman Gallery was interesting, the work was a strange plant like video with photographs.

5.) Envoy contained the closest thing to a textile, which was a show of large paintings with textile like patterns placed across the painting.

6.) We ended at Pierogi 2000.

NYC Galleries, Day One

November 19th, 2007 § 3 comments

Thursday, Starting at 533 W 26th

1.) James Cohen Gallery, which I did like. They were showing Folkert de Jong, a dutch sculptor who made figurative and political works.

2.) BravinLee Programs, a gallery showing the work of Argentinian artist Fabian Marcaccio. “In a rush to kill painting, they forgot,” the artist said while talking about his work.

3.) Gallerie Lelong showed Kate Shepherd. Her paintings were beautiful, minimal, and delicate.

4.) Lombard-Freid was showing Mounir Fatmi‘s show titled “fuck architects chapter 1” although I am still not sure why. This was a sculptor/installation artist who grew up in Morocco and currently lives in Paris, he seemed to be using “untraditional” materials to make sculptures that deliberately altered the space of the gallery. An interesting text on the wall read “My father has lost all his teeth, now I can bite him.”

5.) Friedrich Petzel had “paintings” by Wade Guyton. His paintings are folded pieces of cloth he runs through a large Epson printer.

6.) 303 Gallery had Thomas Demand.

7.) Perry Rubenstein Gallery had a large sculpture, almost too large for the space, of a recent VCU grad Diana Al-Hadid.

8.) Tonya Bonakdar Gallery was showing Uta Barth, who’s images I really enjoyed.

9.) We ended at David Zwirner showing Thomas Ruff,

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