As summer draws toward fall, relatively speaking, I am gearing up for the start of the new art season next month. The enticing prospect of new shows opening throughout the city, many of them dedicated to the tenth anniversary of 9/11, means that all the shows which opened in the latter half of the summer will be, or already have, closed. Though Ai Weiwei himself was thankfully released at the end of June, his photographs of New York City, on view at the Asia Society, closed today, and his Zodiac Heads, at the Pulitzer Fountain in Central Park, have been shipped to L.A. where they will open at LACMA at the end of the month. The Alexander McQueen exhibition at the MET, Savage Beauty, was undoubtedly the blockbuster of the summer (like Tim Burton at MoMA last summer), but Ai Weiwei’s disappearance, detention, and release was the story of the summer—it was a story that brought the whole world to the doorstep of the art world.
Art that escapes the art world and elopes with life.
Located in New York City, Escaping Artist is published by Alissa Guzman.